My art practice is mostly expressive and intuitive, but it also carries a broad, worldly awareness. I take a reflective view of the relationship between humans and nature, especially the growing disconnection in today’s fast-paced world. People often forget they are part of nature, surrounding themselves with synthetic things and digital noise. Through my work, I try to offer a moment of stillness—a reminder of something wilder, calmer, and more alive. I want viewers to feel like they’re stepping into a place that’s peaceful, grounded, and deeply human.

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I work primarily with acrylic paint on stretched canvas, and I’ve recently been experimenting with clay and modeling paste to add texture and volume. Inspired by Impressionism, I use loose, emotional brushwork and a contemporary, grungy texture. I often leave my work unfinished or imperfect, which I believe adds charm, vulnerability, and a sense of organic decay. There’s something honest in those raw edges—it mirrors the unpredictability of nature and emotion.

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At the heart of my practice is a desire to explore the emotional distance between people and the natural world. I think this disconnect affects our inner lives more than we realize. My goal now is to push my work further—bigger, braver, and more immersive. I dream of painting a large wall mural that people can stand in front of and feel transported. My creative path continues to evolve, just like the living world that inspires it.

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Art, for me, is a quiet language between what we’ve forgotten and what we still carry deep inside.